Patricia Carroll
American, born 1946
Carroll has participated in many one-person and group exhibitions consistently since graduate school, mainly in traditional photographic exhibit spaces. Exhibitions include the large group exhibition entitled, “Elvis and Marilyn: 2 X Immortal,” which featured a variety of artists using the imagery of Elvis Presley or Marilyn Monroe in their work. It opened at the ICA in Boston in 1994, and travelled throughout the USA, and then to Japan until 1998. One-person exhibitions of her photographs of Elvis Impersonators have been at Memphis College of Art in 1997, and in 1999, “Elvis?” at the Museum of Contemporary Photography in Chicago. Her exhibition titled, “Are You Lonesome Tonight?” of night photographs was held at the Royal Photographic Society in Bath, England in April, 1996. This work has been shown in numerous gallery exhibitions; for example, in 1999 at Carol Ehlers Gallery in Chicago as a one-person exhibit, “Longings in the Night.” Her photographic portrait series “Spirited Visions,” was a collaborative project with Chicago artists, resulting in an exhibition and book of the same title, which toured for 2 years throughout Illinois, sponsored by the Illinois Arts Council.
Carroll has also curated several exhibitions, most importantly a large exhibition and catalogue of American still life photography titled, American Made: The New Still Life, sponsored by JACA (Japan Art and Culture Association,) and was shown in several Japanese museums in 1993. In 1998, she curated the photography exhibition, “The Constructed Self; Who Do You Think You Are?” commissioned by the Contemporary Arts Council in Chicago. A catalogue accompanied the exhibition on the theme of alternative identities. In 2000, she curated “E2K: Elvisions 2000” an exhibition of Elvis related folk and outsider art at Intuit, the Center for Outsider and Intuitive Art in Chicago.
Her photographs have been purchased by the Art Institute of Chicago, the Museum of Contemporary Art, the Museum of Contemporary Photography, and MOMA, as well as many private collectors. Her photographs have been published in various books as part of larger projects, such as Women Photographers (Abrams), and Changing Chicago, (U of I Press.) Her collaboration with Victor Margolin resulted in the book, Culture is Everywhere, released in 2002 (Prestel.)
As a professional artist, Carroll has been Artist-in-Residence in various parts of the world; In 1998, Carroll was selected as one of the four American Associate Artists by the Atlantic Center for the Arts, to be in residence at the Akiyoshidai Arts Village in Yamaguchi, Japan. In 1999, Artist in Residence at Anderson Ranch Arts Center, in Snowmass, Colorado, and in 2005 at Texas A&M University., and is currently Artist-in-Residence at Columbia College, Chicago.
She was the recipient of an Artist Fellowship Grant from the Illinois Arts Council in 2003 for her digital “Faux Film Posters,” which were shown at the Art Institute of Chicago in a one person exhibition titled,” Dark and Deadly.” This exhibit was featured as an interview on WBEZ, Chicago Public Radio program; “Hello Beautiful,” in June 2004.
Her color photographic work documents subjects of popular culture such as Hot Dog stands, Elvis Tribute Artists, suburban lawns, and night photographs of low life places; motels, restaurants and bars. In 2005, Her book Living the Life; The World of Elvis Tribute Artists was published by Verve Editions. Her newer digital photographic work combines her pop culture interests using vintage Film Noir, humor and typography, while incorporating the earlier images of seedy locations at night. The series is a humorous look at current culture employing the pastiche of vintage film posters. For examples of the night resort pictures, go to http://www.pattycarrollphotography.com.
Carroll was trained in traditional photography, and most of her earlier work is documentary in approach. However, interspersed with the documentation of the outer world, she has also worked fervently in the studio. The latest personal photographic series is about collecting and the obsession with “things.” The images include a mounted 3-d object in a trompe l’oeil relationship with photographs. Again the work is humorous and draws upon a vintage world to comment on current popular culture by presenting precious and ordinary “collectible” objects. These pictures are a continuation of the earlier series of women hidden behind drapery or under domestic objects. In these series, the women become the objects; their identity fused with domestic objects.
Person TypeIndividual
Terms
- female