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Richard Mosse
Image Not Available for Richard Mosse

Richard Mosse

Irish, born 1980
BiographyRichard Mosse’s photography captures the beauty and tradegy in war and desctruction. His photographic series Infra captures ongoing war between rebel factions and the Congolese national army in the Democratic Republic of Congo. Using discontinued reconnaissance infrared film that registers chlorophyll in live vegetation, leading to the surreal red and pinks present within these landscapes. Mosse said in an interview with The British Journal of Photography "I wanted to export this technology to a harder situation, to up-end the generic conventions of calcified mass-media narratives and challenge the way we're allowed to represent this forgotten conflict… I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is constructed." Mosse is the winner of the 2014 Deutsche Börse Photography Prize. In 2013, Mosse represented Ireland in the Venice Biennale with the The Enclave an immersive six-channel video installation that utilized 16mm infrared film.
Mosse was born in 1980 in Ireland and is based in New York. He earned an MFA in Photography from Yale School of Art in 2008 and a Postgraduate Diploma in Fine Art from Goldsmiths, London in 2005. Mosse has exhibited work at the Palazzo Strozzi, Florence; the Weatherspoon Art Museum, Greensboro; the Bass Museum of Art, Miami; the Künstlerhaus Bethanien, Berlin; the Centre Culturel Irlandais, Paris; the Dublin Contemporary Biennial; FotoMuseum Antwerp (FoMu); FOAM, Amsterdam; and the Tate Modern, London. Mosse's work is part of many public collections including the Kemper Museum of Contemporary Art, Kansas City, the Martin Margulies Collection, Miami, the Museum of Fine Arts, Houston, the Museum of Contemporary Art, Chicago, the Nelson Atkins Museum, Kansas City, the Weatherspoon Museum of Art, Greensboro, and the North Carolina Museum of Art, Raleigh.
Mosse’s first monograph, Infra, was published by Aperture Foundation and Pulitzer Center on Crisis Reporting in 2011. His most recent monograph, The Enclave, was also published by Aperture Foundation in 2013 to accompany his presentation at the Venice Biennale. Current and upcoming solo exhibitions include The Enclave, Portland Museum of Art, November 8, 2014 – February 8, 2015; The Enclave, DHC/ART, Montreal, October 16, 2014 – February 8, 2015; and Richard Mosse: The Enclave, Louisiana Museum of Modern Art, Denmark, February 6 – May 25, 2015.

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