Cyrus Edwin Dallin
American, 1861 - 1944
He was very successful in his early years with a series known as the Indian cycle. This series was intended to show the cycle of the American Indian's relation with the white man. It included his popular subjects, The Signal of Peace, The Medicine Man, The Protest and The Appeal to the Great Spirit. For Dallin it provided a means to utilize the preliminary studies that he made from visiting Buffalo Bill's camp at Neuilly, France while he was studying in Paris in1888. However, it also made a statement for the artist that commanded the attention of a broad collectorship as well. His creations were later commissioned in heroic size for institutions or the towns of Salt Lake City, Boston, Washington DC, Plymouth, Massachusetts, Kansas City, Philadelphia and others.
Throughout his life he was an eloquent defender of the American Indian. His intimate knowledge of them gave his work an authenticity and a reality heretofore unknown. His personal involvement with their cause gave his statures a dramatic impact which has retained its strength through the years. The simplicity of his sculptural style with its emphasis on the essentials rather than the decorative gives Dallin's statures a special appeal to the aesthetic taste of the modern world.
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