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Sue Williams
American, born 1954
She began her career with cartoony graphic depictions of violations against women, but changed her work in the 1990s to increasingly abstract colorful compositions with busy lines. For a long period, her work was politely disregarded, but following her first exhibition at Gallery 303 in New York in 1992, she received public attention and became a post-feminist icon. The size of her canvases also increased dramatically, and it became obvious she was doing a "revisionist take on Abstract Expressionism." The work has been well received.
Source: Art in America, "Abjection by Other Means," Barry Schwabsky, January 2002.
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