Richard Charles Zoellner
American, 1908–2003
Zoellner served for 33 years on the Department of Art faculty in the The University of Alabama's College of Arts and Sciences. His retirement from UA in 1978 at the age of 70 launched a period of renewed creativity in which he received extensive recognition as a highly productive painter of elegantly crafted lithographs and canvasses. He worked daily in his studio and continued to exhibit his work until his death.
Zoellner established one of only two departments of fine art printmaking in the Southeast at The University of Alabama in 1945. At that time, UA's art programs were part of the Department of Home Economics. Zoellner was one of a new generation of UA art professors including professors and artists Dick Brough, Frank Engle, Jack Granata, and Joe Bolt who developed the independent department of art with a strong studio focus. His printmaking program attracted to the state a generation of young artist and professional to learn the craft of lithography and etching.
In 2001, Zoellner received the Druid Arts Award for Visual Artist of the Year from the Arts Council of Tuscaloosa. He received the 1995 Distinguished Career Award given by the Society for the fine Arts at The University of Alabama and the 1980 Emeritus Award from the Southern Graphics Council.
A native of Portsmouth , Ohio , Zoellner graduated from the Cincinnati Art Academy . He studied in New York City and Mexico as a recipient of a Louis Comfort Tiffany Foundation Scholarship. From 1933 to 1942 he maintained his own studio in Cincinnati and received a number of public and private commissions as part of the U.S. Treasury Section of Fine Arts, part of then President' Roosevelt's News Dean administration. Commissions included murals for the U.S. Post Offices in Cleveland , Georgetown , Hamilton , Medina , and Portsmouth , Ohio ; and Mannington West Virginia . Other commissions included paintings for U.S. Marine hospitals and murals for the Cincinnati Zoo.
While at UA, Zoellner produced paintings and sculpture, but his primary focus was printmaking and he was active in a number of national and regional printingmaking organizations. Dubbing himself the only abstract artist in the South in the 1950's and 1960's, Zoellner was known for his translation of natural objects into abstract forms in his prints and paintings. In his later period, Zoellner returned to more representational images, painting shells, flowers and landscapes. In 1992 at the age of 84, he exhibited to critical acclaim 15 new works of art inspired by a trip to the Yucatan peninsula and the architecture of its Mayan ruins.
He held over 20 one-man exhibitions including representing the United States in the visual arts during the “Salute to America ” week in Barcelona , Spain . He was in five group shows of prints which toured galleries in Europe , Mexico , South America and the Orient.
Zoellener's work is included in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art, The Brooklyn Museum, the Pennsylvania Academy of the Fine Arts, the Dayton Art Institute, the Delgado Museum of Art in New Orleans, the Andover Museum of Art in Massachusetts, the Mint Museum of Art in North Carolina, the Birmingham Museum of Art, and the Library of congress, among others.
Zoellner is survived by his wife Willita Skelton Goodson Zoellner, his son David Zoellner, daughter-in-law Pamela Kruzic, and their children Olivia and Michael of Washington, D.C. He is also survived by a step-son, artist Nathan Goodson of Tuscaloosa .
http://bama.ua.edu/~artweb/zoellner.htm
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